Old Woman Eating Religious Art The Hague) is supported by

The Hague) is supported by the presence of a De Moor signature on a comparable child study of a boy playing with a puppy

Jan Both is known to have collaborated with figure painters on some works

was formerly in the Gemaldegalerie

According to Richter formerly ascribed to Guercino

Old Woman Eating Religious Art The Hague) is supported byCatalogued as Dou (q. v.), from whom the motif derives, until 1905, when given to Brekelenkam. This attribution is rejected by Lasius, though still accepted by F. Meijer (oral communication, 1997). Hofstede de Groot suggested an attribution to Abraham de Pape (1620 66), which seems possible (note on photograph mount in Rijksbureau voor Kunsthistorische Documentatie, The Hague). A copy bearing the monogram of Dominicus van Tol (c. 1635 1676) was sold