Fine Print: Wrestling boys II. Baltic Sea, Germany, 1933 Stuart Franklin Prints The juxtaposition of animal and

The juxtaposition of animal and city—unexpected yet strangely harmonious—captures Morath’s eye for the absurd within the everyday

Excerpt from the Foreword by Marta Gili and Carles Guerra:

photographer Dennis Stock had an extraordinary ability to capture the essence of the American experience

In poorer regions like Dagestan

Fine Print: Wrestling boys II. Baltic Sea, Germany, 1933 Stuart Franklin Prints The juxtaposition of animal andHerbert List would work in almost every genre that photography has to offer: architecture, still life, street photography, portraiture, documentation and cataloguing. Documentation of Greek sculptures or African artefacts borders on portraiture; and when capturing the classical beauty of the male physique, one does not quite know if we look at painstakingly composed arrangements or a private photo diary, shot spontaneously from the hip